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ANTONIO MANCINI (1852–1930), A MODEL’S SPITE / A MODEL’S CAPRICE / THE GYPSY MODEL / PORTRAIT OF A WOMAN PAINTER AT WORK, c.1884 -
IPPOLITO CAFFI (attributed to) (1809–1866), FLORENCE, VIEW OF PIAZZA DELLA SIGNORIA WITH THE LOGGIA DEI LANZI
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LUDOVICO CARRACCI (1555-1619), THE FLIGHT INTO EGYPT, c.1600–1605
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Francesco Montelatici called Cecco Bravo (1601-1661), PRESENTATION OF THE VIRGIN AT THE TEMPLE, c.1653
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GIOVAN BATTISTA SPINELLI (c.1613-1657), MOSES PRESENTED TO PHARAOH’S DAUGHTER, c.1640–50
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ANTONIO GIONIMA (1697-1732), SAINT LOUIS IX DEPARTING FOR THE CRUSADE, 1720–30
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Nicolas Bertin (1667/68-1736), The Martyrdom of Saint Sebastian, c.1700
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GREGORIO DE FERRARI (1647-1726), THE ABDUCTION OF DEIANIRA
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LORENZO DE FERRARI (1680-1744), THE ABDUCTION OF EUROPA
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ODOARDO TABACCHI (1831-1905), UGO FOSCOLO AFTER THE TREATY OF CAMPOFORMIO, After 1867
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French, PORTRAIT OF THE PAINTER MAXIME FAIVRE (1856–1941), 1873
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Florence (late 17th or early 18th century), A PAIR OF PIETRE DURE PLAQUES OF PARROTS ON BRANCHES
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FLORENCE (late 17th or early 18th century), A RECTANGULAR PIETRE DURE PLAQUE DEPICTING A PARROT ON A BRANCH
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SALVATOR ROSA (1615-1673), PHILOSOPHER (VANITAS?), c.1645–50
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GIUSEPPE BERNARDINO BISON (1762-1844), MARINE DEITIES (THE TRIUMPH OF NEPTUNE)
Florence Biennale
Past exhibition
