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ANTONIO GIONIMA (1697-1732), MUCIUS SCAEVOLA BEFORE LARS PORSENNA, c.1720-5 -
GIOVANNI PAOLO PANINI (1691–1765), A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN, 1731
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ANTONIO MANCINI (1852–1930), OLD MAN WITH A PIPE, c.1895
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ANTONIO MANCINI (1852-1930), JOHN SINGER SARGENT’S VALET (AL MIO SIGNORE/ ALFREDO MANCINI), c.1906-08
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PROSPER D'EPINAY (1836-1914), THE MARQUIS OF MODENA AS A SATYR, c.1909
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Benedetto Luti (1666-1724), Angelica and Medoro, c.1700
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Marco Ricci (1676-1730), Rocky landscape with a natural arch and a waterfall
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LOUIS-FRANÇOIS ROUBILIAC (1702-1762), HENRY HERBERT 9TH EARL OF PEMBROKE AND 6TH EARL OF MONTGOMERY, FRS, c.1749
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VINCENZO GEMITO (1852–1929), YOUNG NEPTUNE OR NETTUNO GIOVINETTO, c.1911
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Filippo D’Angeli or de Liagno, called Filippo Napoletano (c.1587-1629), A landscape with a lady on horseback holding a falcon and a horsemen
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VINCENZO GEMITO (1852–1929), GIRL IN PROFILE, 1913
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GIOVANNI BATTISTA AMENDOLA (1848-1887), PORTRAIT OF SIR GEORGE HENSCHEL (First conductor of the Boston Symphony Orchestra and the Royal Scottish National Orchestra), 1879
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GIOVANNI BATTISTA AMENDOLA (1848-Naples), A MOMENT’S REST (Portrait of the painter, Laura Theresa Alma-Tadema, wife of Lawrence Alma-Tadema), 1884
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ALONSO SÁNCHEZ COELLO (attributed to) (c.1531-1588), PORTRAIT OF A SPANISH GENTLEMAN
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GIUSEPPE MARIA CRESPI, CALLED LO SPAGNOLO (1665-1747), Young man wearing a plumed helmet, 1725-30
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ALBERT RUDOMINE (1892-1975), AFTER AUGUSTE RODIN (1840-1917), L’ETERNELLE IDOLE (ETERNAL IDOL) (duplicate), c.1950
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ALBERT RUDOMINE (1892-1975), AFTER AUGUSTE RODIN (1840-1917), L’ETERNELLE IDOLE (ETERNAL IDOL), c.1950
