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VIEWING ROOM

VIEWING ROOM

Current viewing_room
  • GIOVANNI PAOLO PANINI (1691–1765), A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN, 1731
    GIOVANNI PAOLO PANINI (1691–1765), A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN, 1731
  • GIOVAN BATTISTA SPINELLI (c.1613-1657), MOSES PRESENTED TO PHARAOH’S DAUGHTER, c.1640–50
    GIOVAN BATTISTA SPINELLI (c.1613-1657), MOSES PRESENTED TO PHARAOH’S DAUGHTER, c.1640–50
  • LUDOVICO CARRACCI (1555-1619), THE FLIGHT INTO EGYPT, c.1600–1605
    LUDOVICO CARRACCI (1555-1619), THE FLIGHT INTO EGYPT, c.1600–1605
  • ANTONIO MANCINI (1852–1930), OLD MAN WITH A PIPE, c.1895
    ANTONIO MANCINI (1852–1930), OLD MAN WITH A PIPE, c.1895
  • ANTONIO MANCINI (1852-1930), JOHN SINGER SARGENT’S VALET (AL MIO SIGNORE/ ALFREDO MANCINI), c.1906-08
    ANTONIO MANCINI (1852-1930), JOHN SINGER SARGENT’S VALET (AL MIO SIGNORE/ ALFREDO MANCINI), c.1906-08
  • ANTONIO MANCINI (1852–1930), A MODEL’S SPITE / A MODEL’S CAPRICE / THE GYPSY MODEL / PORTRAIT OF A WOMAN PAINTER AT WORK, c.1884
    ANTONIO MANCINI (1852–1930), A MODEL’S SPITE / A MODEL’S CAPRICE / THE GYPSY MODEL / PORTRAIT OF A WOMAN PAINTER AT WORK, c.1884
  • ODOARDO TABACCHI (1831-1905), UGO FOSCOLO AFTER THE TREATY OF CAMPOFORMIO, After 1867
    ODOARDO TABACCHI (1831-1905), UGO FOSCOLO AFTER THE TREATY OF CAMPOFORMIO, After 1867
  • SALVATOR ROSA (1615-1673), PHILOSOPHER (VANITAS?), c.1645–50
    SALVATOR ROSA (1615-1673), PHILOSOPHER (VANITAS?), c.1645–50
  • Francesco Montelatici called Cecco Bravo (1601-1661), PRESENTATION OF THE VIRGIN AT THE TEMPLE, c.1653
    Francesco Montelatici called Cecco Bravo (1601-1661), PRESENTATION OF THE VIRGIN AT THE TEMPLE, c.1653
  • IPPOLITO CAFFI (attributed to) (1809–1866), FLORENCE, VIEW OF PIAZZA DELLA SIGNORIA WITH THE LOGGIA DEI LANZI
    IPPOLITO CAFFI (attributed to) (1809–1866), FLORENCE, VIEW OF PIAZZA DELLA SIGNORIA WITH THE LOGGIA DEI LANZI
  • PROSPER D'EPINAY (1836-1914), THE MARQUIS OF MODENA AS A SATYR, c.1909
    PROSPER D'EPINAY (1836-1914), THE MARQUIS OF MODENA AS A SATYR, c.1909
  • VINCENZO GEMITO (1852–1929), YOUNG NEPTUNE OR NETTUNO GIOVINETTO, c.1911
    VINCENZO GEMITO (1852–1929), YOUNG NEPTUNE OR NETTUNO GIOVINETTO, c.1911
  • VINCENZO GEMITO (1852–1929), GIRL IN PROFILE, 1913
    VINCENZO GEMITO (1852–1929), GIRL IN PROFILE, 1913
  • GIOVANNI BATTISTA AMENDOLA (1848-1887), PORTRAIT OF SIR GEORGE HENSCHEL (First conductor of the Boston Symphony Orchestra and the Royal Scottish National Orchestra), 1879
    GIOVANNI BATTISTA AMENDOLA (1848-1887), PORTRAIT OF SIR GEORGE HENSCHEL (First conductor of the Boston Symphony Orchestra and the Royal Scottish National Orchestra), 1879
  • GIOVANNI BATTISTA AMENDOLA (1848-Naples), A MOMENT’S REST (Portrait of the painter, Laura Theresa Alma-Tadema, wife of Lawrence Alma-Tadema), 1884
    GIOVANNI BATTISTA AMENDOLA (1848-Naples), A MOMENT’S REST (Portrait of the painter, Laura Theresa Alma-Tadema, wife of Lawrence Alma-Tadema), 1884
  • ANTONIO GIONIMA (1697-1732), MUCIUS SCAEVOLA BEFORE LARS PORSENNA, c.1720-5
    ANTONIO GIONIMA (1697-1732), MUCIUS SCAEVOLA BEFORE LARS PORSENNA, c.1720-5
  • LOUIS-FRANÇOIS ROUBILIAC (1702-1762), HENRY HERBERT 9TH EARL OF PEMBROKE AND 6TH EARL OF MONTGOMERY, FRS, c.1749
    LOUIS-FRANÇOIS ROUBILIAC (1702-1762), HENRY HERBERT 9TH EARL OF PEMBROKE AND 6TH EARL OF MONTGOMERY, FRS, c.1749
  • GIUSEPPE BERNARDINO BISON (1762-1844), MARINE DEITIES (THE TRIUMPH OF NEPTUNE)
    GIUSEPPE BERNARDINO BISON (1762-1844), MARINE DEITIES (THE TRIUMPH OF NEPTUNE)
  • GREGORIO DE FERRARI (1647-1726), THE ABDUCTION OF DEIANIRA
    GREGORIO DE FERRARI (1647-1726), THE ABDUCTION OF DEIANIRA
  • LORENZO DE FERRARI (1680-1744), THE ABDUCTION OF EUROPA
    LORENZO DE FERRARI (1680-1744), THE ABDUCTION OF EUROPA
  • French, PORTRAIT OF THE PAINTER MAXIME FAIVRE (1856–1941), 1873
    French, PORTRAIT OF THE PAINTER MAXIME FAIVRE (1856–1941), 1873
  • Florence (late 17th or early 18th century), A PAIR OF PIETRE DURE PLAQUES OF PARROTS ON BRANCHES
    Florence (late 17th or early 18th century), A PAIR OF PIETRE DURE PLAQUES OF PARROTS ON BRANCHES
  • FLORENCE (late 17th or early 18th century), A RECTANGULAR PIETRE DURE PLAQUE DEPICTING A PARROT ON A BRANCH
    FLORENCE (late 17th or early 18th century), A RECTANGULAR PIETRE DURE PLAQUE DEPICTING A PARROT ON A BRANCH

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