TEFAF 2025
 

13 MARCH - 20 MARCH

SAINTS VINCENT FERRER, PETER MARTYR AND RAYMOND OF PEÑAFORT 1670s or 1680s
MATTIA PRETI (1613 – 1699)

SAINTS VINCENT FERRER, PETER MARTYR AND RAYMOND OF PEÑAFORT 1670s or 1680s

Louis Cretey is a highly individual exponent of one of the most anticlassical, non-conformist and eccentric expressions of Baroque painting.

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LOT WITH HIS DAUGHTERS 1833
FRANCESCO HAYEZ (1791 – 1882)

LOT WITH HIS DAUGHTERS 1833

With its spirited execution and prescient sense of eccentric Romanticism, this newly discovered canvas is a superb addition to the oeuvre of Johann Heinrich Schönfeld. Praised for his inventive history paintings and singularly refined style, Schönfeld was unquestionably one of the great artists of the German baroque.

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LOT WITH HIS DAUGHTERS 1833
FRANCESCO HAYEZ (1791 – 1882)

LOT WITH HIS DAUGHTERS 1833

ANTIVEDUTO GRAMATICA (1569 – 1626)

SAINT DOROTHEA OF CAESAREA c.1615

This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp, was the American artist Harriet Hosmer's most popular composition. Hosmer was one of the most successful female artists of the 19th century and spent most of her life living and working in Rome. There she was a leading figure in an important group of women artists known as the ‘sisterhood of American lady sculptors' who expressed their feminist and anti-slavery views through the neoclassical sculptures they produced.

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DESIGN BY GIAN LORENZO BERNINI  1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686
CHRIST (Cristo Vivo) (After 1659)

DESIGN BY GIAN LORENZO BERNINI 1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686

Lorenzo Viani is a true nearly-forgotten genius of the 20th century, celebrated by his contemporaries, yet today almost totally unknown outside of Italy.

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SAINT DOROTHEA OF CAESAREA c.1615
ANTIVEDUTO GRAMATICA (1569 – 1626)

SAINT DOROTHEA OF CAESAREA c.1615

This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp was the American artist Harriet Hosmer's most popular composition.

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DESIGN BY GIAN LORENZO BERNINI  1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686
CHRIST (Cristo Vivo) (After 1659)

DESIGN BY GIAN LORENZO BERNINI 1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686

A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN 1731
GIOVANNI PAOLO PANINI (1691 – 1765)

A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN 1731

The sitter of this portrait is Alpinolo Porcella (1874-1962): a writer, journalist, critic, but also an artist. Born in Genoa, he moved to Rome where he became a prominent figure in the Roman artistic and literary milieu of the 1910s and 20s, in close contact with intellectuals and artists of the time, like Giorgio de Chirico, Filippo de Pisis, Giovanni Comisso and, of course, Viani.

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HERCULES and OMPHALE c.1705
GIOVANNI BONAZZA (1654 - 1736)

HERCULES and OMPHALE c.1705

CLEOPATRA c.1705-10
DONATO CRETI (1671 – 1749)

CLEOPATRA c.1705-10

THE CALLING OF SAINT MATTHEW   A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME  c.1743
Carlo Monaldi (16911 - 1760)

THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743

SAINT ANDREW LED TO THE CROSS OF MARTYRDOM
CARLO MARATTA (1625 - 1713)

SAINT ANDREW LED TO THE CROSS OF MARTYRDOM

GIOVANNI PAOLO PANINI (1691 – 1765)

A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN 1731

SAINTS VINCENT FERRER, PETER MARTYR AND RAYMOND OF PEÑAFORT 1670s or 1680s
MATTIA PRETI (1613 – 1699)

SAINTS VINCENT FERRER, PETER MARTYR AND RAYMOND OF PEÑAFORT 1670s or 1680s

LOT WITH HIS DAUGHTERS 1833
FRANCESCO HAYEZ (1791 – 1882)

LOT WITH HIS DAUGHTERS 1833

SAINT DOROTHEA OF CAESAREA c.1615
ANTIVEDUTO GRAMATICA (1569 – 1626)

SAINT DOROTHEA OF CAESAREA c.1615

DESIGN BY GIAN LORENZO BERNINI  1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686
CHRIST (Cristo Vivo) (After 1659)

DESIGN BY GIAN LORENZO BERNINI 1598 - 1680 CAST BY ERCOLE FERRATA AND WORKSHOP 1610 - 1686

A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN 1731
GIOVANNI PAOLO PANINI (1691 – 1765)

A CAPRICCIO OF THE ROMAN FORUM WITH TUCCIA, THE VESTAL VIRGIN 1731

CLEOPATRA c.1705-10
DONATO CRETI (1671 – 1749)

CLEOPATRA c.1705-10

SAINT ANDREW LED TO THE CROSS OF MARTYRDOM
CARLO MARATTA (1625 - 1713)

SAINT ANDREW LED TO THE CROSS OF MARTYRDOM

THE CALLING OF SAINT MATTHEW   A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME  c.1743
Carlo Monaldi (16911 - 1760)

THE CALLING OF SAINT MATTHEW A BOZZETTO FOR THE CALLING OF SAINT MATTHEW IN SAN MARCO EVANGELISTA AL CAMPIDOGLIO, ROME c.1743

HERCULES and OMPHALE c.1705
GIOVANNI BONAZZA (1654 - 1736)

HERCULES and OMPHALE c.1705

OLD MAN AS A VAGRANT, OR ‘PITOCCO’ c.1735
GIACOMO CERUTI KNOWN AS IL PITOCCHETTO (1698 – 1767)

OLD MAN AS A VAGRANT, OR ‘PITOCCO’ c.1735

PORTRAIT OF A NOBLEWOMAN c.1650s
NICOLAS RÉGNIER (1591 - 1667)

PORTRAIT OF A NOBLEWOMAN c.1650s

MARKOS BOTSARIS c.1860
CESARE FELIX GEORGES DELL’ACQUA (1821 – 1905)

MARKOS BOTSARIS c.1860

Anna Gemito c.1886
Vincenzo Gemito (1852 - 1929)

Anna Gemito c.1886

SELF-PORTRAIT ON A MIRROR c.1915-18
ANTONIO MANCINI (1852 – 1930)

SELF-PORTRAIT ON A MIRROR c.1915-18

SANTA LUCIA c.1927
ADOLFO WILDT (1868 – 1931)

SANTA LUCIA c.1927

PHILOSOPHER 1920
VINCENZO GEMITO (1852 – 1929)

PHILOSOPHER 1920