Vincenzo Gemito (1852 - 1929)
Anna Gemito c.1886
Louis Cretey is a highly individual exponent of one of the most anticlassical, non-conformist and eccentric expressions of Baroque painting.
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Antonio Mancini (1852 - 1930)
Saltimbanco after the Performance 1874
With its spirited execution and prescient sense of eccentric Romanticism, this newly discovered canvas is a superb addition to the oeuvre of Johann Heinrich Schönfeld. Praised for his inventive history paintings and singularly refined style, Schönfeld was unquestionably one of the great artists of the German baroque.
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Antonio Mancini (1852 - 1930)
Saltimbanco after the Performance 1874
ANTONIO MANCINI (1852 - 1930)
LA MODELLA c.1883
This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp, was the American artist Harriet Hosmer's most popular composition. Hosmer was one of the most successful female artists of the 19th century and spent most of her life living and working in Rome. There she was a leading figure in an important group of women artists known as the ‘sisterhood of American lady sculptors' who expressed their feminist and anti-slavery views through the neoclassical sculptures they produced.
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ANTONIO MANCINI (1852 - 1930)
SCUGNIZZO WITH A CRUCIFIX c.1871
Lorenzo Viani is a true nearly-forgotten genius of the 20th century, celebrated by his contemporaries, yet today almost totally unknown outside of Italy.
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ANTONIO MANCINI (1852 - 1930)
LA MODELLA c.1883
This marble sculpture of Puck, the mischievous sprite from Shakespeare's A Midsummer Night’s Dream, together with his companion figure of Will-o’-the-wisp was the American artist Harriet Hosmer's most popular composition.
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ANTONIO MANCINI (1852 - 1930)
SCUGNIZZO WITH A CRUCIFIX c.1871

Gerda Wegener (1886-1940)
Je ne trompe pas mes amants…. (I never cheat on my lovers…) 1914

Gerda Wegener (1886 - 1940)
La Guerre est morte 1917

Gerda Wegener (1886 - 1940)
Two WOMEN in a landscape with a peacock 1917
Vincenzo Gemito (1852 - 1929)
Anna Gemito c.1886
Antonio Mancini (1852 - 1930)
Saltimbanco after the Performance 1874
ANTONIO MANCINI (1852 - 1930)
LA MODELLA c.1883
ANTONIO MANCINI (1852 - 1930)
SCUGNIZZO WITH A CRUCIFIX c.1871
Gerda Wegener (1886 - 1940)
Two WOMEN in a landscape with a peacock 1917
Gerda Wegener (1886 - 1940)
La Guerre est morte 1917
Gerda Wegener (1886-1940)
Je ne trompe pas mes amants…. (I never cheat on my lovers…) 1914
Wilhelm Kuhnert (1865 – 1926)
Portrait of a man FROM EAST AFRICA Before 1894
Wilhelm Kuhnert (1865 – 1926)
Prince Kwaku Dua III (1870 - 1931) later known as Prempeh I (Otumfuo Nana Prempeh I) King ruler of the Ashanti Empire 1887
LUISA ROLDÁN, CALLED LA ROLDANA (1652 - 1706)
VIRGEN DE BELÉN (VIRGIN OF BETHLEHEM) (c.1701-5)
Wilhelm Kuhnert (1865 – 1926)
Man wearing a feathered hat
Max Höser (1902 - 1981)
Self-portrait, with a hand study 1919
LUCA CAMBIASO (1527 - 1585)
ACHILLES AMONG THE DAUGHTERS OF LYCOMEDES
Antonio Mancini (1852 - 1930)
Self Portrait by Candelight c.1920
Giovanni Segantini (1858 – 1899)
Il Bifolco or Nella Stalla (In The Stable) c.1886
Giannino Marchig (1897 - 1983)
Self-portrait c.1915-20
Carlo Monaldi (16911 - 1760)
The Calling of Saint Matthew c.1743
Vincenzo Gemito (1852 - 1929)
Profile of a Woman 1919
Vincenzo Gemito (1852 – 1929)
Fisherboy c.1907-14
GIULIO ARISTIDE SARTORIO (1860 – 1932)
RESTING LIONS (c.1895)